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September 17, 2022
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Reus is situated in north east Spain on the Costa Dorada. It is a historic city with a number interesting sights to visit and when you need to take some time out there are a great choice of bars, restaurants and shops.

Reus Airport is just 2km from the city and about 80km south of Barcelona on the CN-420 road to Tarragona. From the railway station in Reus there is a daily train service to Barcelona which takes about 55 minutes.

The best way to explore Reus and the surrounding area is by car. It is easy to drive to positioned near the Autopista del Mediterraneo which the principal motorway going north to south along Spain’s eastern coast. From the Autopisto just follow the T-315 which runs directly into Reus. If you are approaching from western Spain drive along the major E-90 motorway and join the N-420 towards Baden.

Reus is probably most famous for being the home of the famous architect Antoni Gaudi, but it boasts no examples of his work and the finest Modernist creations are by Lluis Domenech I Montaner which include the Pere Mata Institute, the Casa Navàs, the Casa Rull and the Casa Gasull.

Reus has for many centuries been notable for the production of wines and spirits (particularly brandy). Other products include olives and hazelnuts. A recommended tour of Reus starts in the Plaza de Prim with its beautiful Theatre Fortuny along Calle de Monterols to Plaza del Mercadal with the modernist Casa Navas which still contains all its period furniture, coffered ceilings and lamps. Plaza de Sant Pere has a sixteenth century Gothic church with an octagonal bell tower from the top of which you can see the whole of the Costa Dorada.

In the old quarter of Reus you will find the Gothic San Pedro church (Antonio Gaudi was christened here on 26th June 1852), and the Prim-Rull Museum. The Reus Tourist Office offers scheduled excursions to buildings which are generally closed to the public plus free entrance to the Salvador Vilaseca Museum and the Art and History Museum with paintings and drawings by Maria Fortuny and Joan Rebull.

In the month of June Reus holds its biggest fiestas with live music in the squares every night and street entertainments including Castellers which are the famous towers made of men. Once you have seen the main attractions that Reus city has to offer, you might like to consider a day trip to Tarragona, Salou or Montblanc.

TARRAGONA

Tarragona is very full day of sightseeing. It is only a 15km drive from Reus along the N-420A, C14, T11 and A7 motorways. It is the capital of the Costa Dorada, standing on a hill overlooking the Mediterranean sea. Tarragona has a large number of tourist attractions concentrated in a small area.

It was invaded by the Romans in 218BC and most of the monuments forming the city’s cultural heritage were built during the Roman occupation including the amphitheatre, the aqueduct and the Escipions Tower. The Roman city wall was built in the 2nd and 3rd centuries BC with a good part of it still remaining along with three towers from the same period.

Its imposing Romanesque-Gothic cathedral has one of Spain’s finest cloisters dating back to the 13th century. Nearby are the archiepiscopal palace and the archaeological museum. You will find almost everything of interest within the old city walls. The most important street is Las Ramblas which leads to a great viewing point called the Balcón de Europa which overlooks the lower part of the city and fishing neighbourhood of Serrallo.

Tarragona is a port and commercial centre exporting some Spain’s finest wines which are produced in the nearby Priorat region. Also the Carthusian monks who were expelled from La Grande Chartreuse in France in 1903 settled in the city and still produce their famous green chartreuse liqueur.

SALOU

Is just 10km west of Tarragona and is 10km from Reus city centre along the C14 and C31B motorways.

Salou is fairly spread out and merges with the neighbouring resorts of La Pineda to the east and Cambrils to the west, all of which have l clean sandy beaches and secluded rocky coves. Salou is also packed with entertainment for all ages including watersports to an aqua park, go-karting and Universal’s Port Aventura which is a massive theme park modelled on Florida’s Busch Gardens.

Salou’s seafront promenade has beautifully landscaped gardens and parks with fountains which are lit up at night. It offers some very lively entertainment with a number of nightclubs, bars and British-style pubs.

MONTBLANC

Is a medieval town just 30km from Reus along the C14 and N240A motorways. Montblanc a former residence of kings and knights and is the place where St. George reportedly slayed the dragon. In the village there is a marker commemorating the deed.

The dukedom of Montblanc was created by King Juan I in 1387. In the Middle Ages Montblanc had its own fairs and markets and a notable Jewish community. It still have with two thirds of the primitive walled area from the 15th century, towers and the gates of Sant Jordi and Bover and it was designated a monument of historic and artistic value in 1947.

The majestic Gothic church of Santa Maria with its baroque façade has a stone altarpiece dedicated to saints Bernardo and Bernabe. You can also visit the 13th century churches of Sant Miquel with a Romanesque façade; the church of Sant Francesc and the church and hospital of Santa Magdalena with a Renaissance cloister.

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Source by Linda Craik

September 9, 2022
View: 721

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Henry VIII, king of England from 1509 to 1547, is famous for many things. But not everyone knows he was a great collector. For one thing, he collected wives. He married six different women in an age where divorce was basically forbidden and wives didn’t cooperate by dropping dead on their own very often. The king also collected houses. He laid claim to numerous great homes and palaces, including Westminster, Berkhamsted, Fotheringhay, Warwick, Kenilworth, and some of his favorites: Greenwich, Whitehall, and Hampton Court. He even had Royal Residences in the Tower of London. One of King Henry’s biggest collections was tapestries. He eventually collected more than 2,000 of these woven pictures to spruce up Hampton Court Palace and his other royal residences.

But why would the King spend a lot of money and energy to collect woven pictures to decorate his walls? What was behind these expensive wall hangings?

Tapestry making was huge industry in northern France and southern Netherlands during the Middle Ages and Renaissance. Tapestry is a form of textile art created by skilled craftsmen. The pieces were woven by hand on a weaving-loom. Weaving a tapestry required that each thread be carefully placed on the loom by hand. This painstaking process allowed workers to create complex designs that included intricate features for people, animals, and plants. Usually the chain threads were made out of linen or Picardy wool. The striking threads were made of Italian silk or gold and silver threads imported from Cyprus. Textile workers and guilds flourished in Belgium and France, ad tapestries created there were exported all over Europe.

Tapestries were sometimes woven in sets. A set of tapestries often told a biblical or mythical story through a series of pictures. This art in woven tapestry was intended to produce illusions of what reality should be-a more intellectual, more scientific, more grand world. This world could follow the owner wherever he went, as tapestries were portable and could be transported from one residence to another.

Wealthy and powerful men collected tapestries because they could really impress visitors. Before he had to give Hampton Court to King Henry, Cardinal Wolsey sent London merchant Richard Gresham to Brussels with 1,000 marks to purchase the finest tapestries he could find. The Venetian ambassador told this story of his visit to Wolsey: “One has to traverse eight rooms before one reaches his audience chamber, and they are all hung with tapestry, which is changed once a week” (1).

In September 1528, King Henry became displeased with Wolsey’s work and took over Hampton Court Palace. King Henry embarked on an enormous rebuilding project, creating new kitchens, a Council Chamber, and a series of private rooms for himself. In addition, Henry rebuilt the Great Hall, which featured great walls for displaying tapestries. To decorate Hampton Court and other royal residences, Henry collected tapestries to communicate his wealth and power. The tapestries adorned such important public rooms as the Great Hall and the Great Watching Chamber.

One of the most famous series in Henry’s collection is the History of Abraham series, which he commissioned specifically for Hampton Court. This series was woven in Brussels about 1540 by Wilhelm Pannemaker to the designs of Bernard van Orley. The History of Abraham tapestries include ten separate pieces, each of which is approximately sixteen feet high and twenty-six feet wide. These tapestries are of amazing quality, featuring highly skilled weaving and a high metal thread count, with many gold and silver threads. In fact, the amount of gold makes them one of the most opulent products of the Brussels industry.

Because of the amount of gold and silver and the high quality of the workmanship, each tapestry is estimated to have cost Henry as much money as a fully fitted and staffed battleship. This means the entire set cost as much as a fleet of battleships. The Abraham tapestries are a good example of King Henry’s primary purpose in collecting tapestries: demonstrating his vast wealth to visitors from around the world. King Henry believed these tapestries would create a positive impression and convince all who came to Hampton Court and other palaces of his kingship.

King Henry was right about the Abraham tapestries being a symbol of wealth and power. Their influence lasted much longer than Henry did. About 100 years after Henry’s death, during the English Revolution, revolutionaries seized control of the country and executed King Charles I, and Oliver Cromwell ruled as Lord Protector. Much of the royal property was sold to the highest bidder. But the Abraham tapestries were worth so much money, he was unable to sell them. They remained in the possession of Oliver Cromwell at Hampton Court. Like the rest of his possessions, they returned to ownership of the crown when the monarchy was restored. These tapestries were selected to adorn the walls of Westminster Abbey at the coronation of King James II in 1685.

The choice of the Abraham tapestries, commissioned by Henry VIII in 1540, to celebrate the restoration of the monarchy more than 100 years later demonstrates their significance as a symbol of royalty and power. Although Henry VIII could not have understood their full historic significance, he did understand the impact of tapestries on his perception as king. Hampton Court Palace was a favorite residence of King Henry. He made it a great symbol of his royalty and the strength of the Tudor dynasty. The magnificent tapestries that adorned the palace walls during his reign were a fitting symbol of the wealth, wisdom, and royalty of King Henry VIII. For him, tapestries were much more than decorations or insulation. They were literally the embodiment of his royal image.

1. Hedley, O. (1971) Hampton Court Palace. London: Pitkin Pictorials.

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Source by Carol Ann Lloyd-Stanger

September 2, 2022
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Hanging art has been and still remains an integral part of adorning our modern day man caves. We have always had an urge to make art an important element of our interiors dating as far back as the prehistoric wall cave paintings and base relief of the Egyptian tombs. Anthropologists have said ancient people thought art was magic that transported you from the mundane to the transcendent. I have to agree, because surprisingly, what we take in visually stays with us unconsciously, capturing us, and magically whisk us away to another place and time.

There are clues that will help you zero in on the type of artwork that compliments the scale and color of the room. Keep in mind the room’s scheme and try to match or contrast it. Is the room neutral, pastel, or vibrantly decorated? Don’t be intimidated when choosing art. It is nothing more than finding images that you like, ones that speak to you, perhaps stimulates reflection, relaxes your mind and uplifts your spirit framing your memories.

Art can be an anchor for a room’s theme; it relays a story of the occupant’s depth, style, humor and even their intellect. While hunting for the ideal pieces, keep in mind these images you are choosing will greet you on a daily basis. Others will be viewing it also, and the substance of your art has impact. If the impact is too much, it will drown out you theme but if it is too little, it will be lost. Discovering the art that reflects you and speaks to you can take some time to find, but once you have found the ideal pieces, how do you hang them and where?

Now that you found the coveted pieces of art, we need to find a way to properly display your artscape. This will involve identifying wall color, location, and framing/matting the artwork and then finally, highlighting each piece if needed with some accent lighting.

Wall Color:

-Consider a suitable backdrop against which to display your work.
-The wall color should not compete with your art.
-The color should either be neutral or in some way play off the colors in the art.
-Repaint the wall to compliment/accent the piece if needs be.
-Ensure back drop is smooth with unobtrusive textures.

Location:

-Allow generous amount of wall space around each work.
– Relate art to wall size-
(Choose smaller pictures for narrow walls and larger works for big wall spaces.)
-Relate Art to Furniture Size
(In general, when hanging art over a piece of
furniture it should not be longer than the width of the furniture- a general principle being about 75% of the table’s/sofa width.)
-Standard hanging height would be at eye level.
-Hang It Low-When hanging a large picture over a table for instance, the bottom of the frame should sit within 4-8″ of the tabletop
-Play with size for dramatic effects-try hanging large art pieces in small spaces such as a powder room.

Hanging art in groups to make a pattern:

-Stripes- symmetrically hung in a row to create a vertical or horizontal line of art
-Plaids- a square or checkered layout
-Herringbone/diagonal- an ascending slope/stepping rows up a stairwell adds excitement to the composition.
-Mosaic- a large cluster of works together serves to display many works in a limited space.
-Artful Grid- Use of the majority of the wall with pictures that are monochromatic, same in color, same frames (if not frameless), and of the same size this will create a dramatic wall of poetry.
-One vertically hung and one horizontal being aligned at the base of the frames.
-Oversized and hung low
-Horizontal lines tend to elongate, widen, and emphasize a casual decorating scheme.
-Vertical lines tend to be more formal giving the illusion of height; it can seem more elegant and refined.
-Avoid hanging matching pictures in a perfect line whenever you’d like to emphasize a casual atmosphere.
-Symmetrical Arrangements adds balance and formality to an arrangement and is generally pleasing and calming to the observer.
– Asymmetrical Arrangements create a very eye-catching grouping and is a casual fun look for informal settings.
-Juxtapose two artworks from different periods that have a common element (color, subject matter, etc.)
-Create a collage by grouping many small artworks together linking them visually in form, theme, or color. This will allow them to play off each other creating a harmonious single graphic effect.

Framing:

-Don’t choose frames/mattes that will overwhelm a piece or fails to set it off.
-Mix frames that differ stylistically and in color giving them a sense of this is a “collection”.
-Try framing several items in one mat and frame.
-Varying frame shapes add interest to a picture grouping by hanging pictures with differently shaped frames.
-Pictures will have greater impact if matted in a contrasting color to the wall. Choose a dark mat for a light wall and vice versa.
-A group of pictures framed alike and hung together can have big impact.

Shelves and Alternative Wall Hangings

-Place art on a shelf creating a more dimensional effect and allows you to exhibit framed work along with other collected art, figures/pots.
-Look for objects to hang on the wall that give the impression of art such as architectural features
-Iron art is very popular and adds a great deal of interest with its 3-dimensional effect.

Accent Lighting:

Note: Beautiful artwork can be lost unless it is well lit. Illuminating the work it gives it more importance.
-The entire surface of a painting should be should be evenly lit without glare
-To light an individual piece and direct light evenly mount a picture light that has a long arm from the back of the artwork as to not damage the piece.
-Use a color correct, ultra violet-free, low wattage bulb.
-Light sculptures to enhance their forms to create a dramatic effect that cast shadows onto walls or floors.
-Use uplights and downlights of various sizes that suits each piece.
-Using track lighting above a series of pieces that perhaps run down the length of a hallway will dramatically highlight the art and light the hallway simultaneously.
-Light bookshelves and cabinets with mounted lights or clip ons

Alas, you are now armed with a holster full of new hanging art arsenal and now are officially equipped to tackle any room with your new artscaping design guidelines. Stick to your theme by supporting it with art that’s repeating in colors, motifs, and style of the room’s interior. Use the art as inspiration, search for pictures that move you and use their themes and colors as the foundation for other room elements. Allow the art to be humorous, fun, unexpected and whimsical. Look for themes that fit your decorating style by bringing out the colors in other elements of the room. Just remember that art endures because it releases us from repetition of habitual thought and allows us a fresh perspective; so be sure to display your work respectfully and artfully by putting some extra thought into it.

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Source by Wendy Machen-Wong

August 22, 2022
View: 322

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“The superior man understands what is right; the inferior man understands what will sell.” Confucius, The Confucian Analects. (551-479 B.C.)

“God looks at the clean hands, not the full ones.” Publilius Syrus, Moral Sayings, 1st Century, B.C.

“He has honor if he holds himself to an ideal of conduct though it is inconvenient, unprofitable, or dangerous to do so.” Walter Lippman, A Preface to Morals, 1929

Internet marketing is now an integral component of our society. The world wide web has totally revolutionized the way business is done. As with anything, it has a positive and negative aspect to it. But remember, as valuable a resource as the world wide web is, it is still a web and as webs are made by spiders, there are some internet marketers who, like spiders, are working predaciously, diligently and daily to construct their webs to entrap their prey and suck their lifeblood, i.e., their money, right out of them. Now, to be sure, not all internet marketers are predators. Many have excellent services and products to offer. However, there are those who are not so noble and who simply want your money and will do just about anything to get it. This article gives you several tips to keep you from being burned by such individuals.

What is an internet marketer? Basically, an internet marketer is a salesman who sells his goods or services on the world wide web. As we all know, there are good salesmen and bad salesmen. The good ones understand that the basis of all successful business is relationship and they focus on building positive and enduring relationships with their customers. Then there are the other kind, the ones who only want your money and once they’ve got it could care less about helping you or giving you post-sale service.

Another way of looking at an internet marketer is like that of an auto mechanic. The really good ones are rare. They are honest, trustworthy, do excellent work, take responsibility for their work, charge a fair price and serve the customer with respect. They know that all good business is based on creating positive and enduring relationships. Because they have this understanding and are ethical and honest by nature, their businesses endure and thrive.

However, not all auto mechanics are good… or honest, as most people know. Finding a good and honest auto mechanic is a difficult task, akin to finding the proverbial needle in a haystack. It is a sad reality of life but true nonetheless. The analogy of the auto mechanic applies to internet marketers. There are good ones and bad ones, the good ones being very rare and hard to find. In order to protect yourself from the bad ones, here are some things of which to be aware.

1. Beware of Smiles, Wiles and Feel-Good Stories.

We’ve all heard the phrase, “Beware of wolves in sheep’s clothing.” This applies directly to dishonest people. Such dishonest people, such “wolves,” who are really good at their craft and have highly developed hunting skills, don’t advertise or announce their villainous intentions. Just the opposite. The best have mastered the art of disguise, of being like a harmless sheep. They’ve mastered the art of the smile, the pleasant personality, the warm [but insincere] handshake or pat on the back. They’re often also expert communicators with skills in word usage, phraseology, and neurolinguistic programming which is, in general terms, the science of how words affect emotions. In other words using specific words and phrases to evoke certain reactions, one of which is to get the customer to buy the salesman’s product. Thus, the efficient wolf disguises himself to appear wonderful, trustworthy, friendly when in actuality he’s really just the opposite. Let’s be clear: not all wonderful, trustworthy and friendly salesmen are wolves, but the best-of-the-best predatory wolves do don such disguises. This is why one must beware and be wary of smiles, wiles and feel-good stories. Such behavior may well have an untoward design, i.e., the intent of separating you from your funds without remorse by a wolf in hunting mode.

2. Beware of Offerings with No Recourse.

This is huge. Online seminars, webinars and teleconferences that offer special offers or have guests offering special offers but where neither the event is recorded and downloadable or there is no downloadable contract from the guest for his product or service are highly suspect. Some webinar hosts make a point of saying the webinar will not be recorded. The purpose of this is to motivate people to get on the call. That’s fine. It’s simply a marketing technique. The problem arises if an offer and/or a guarantee are made during the online event that are not downloadable. If there is no download of the program in which an offer or a guarantee is made, there is no official record of the event and therefore the buyer has no recourse if a problem arises! Any complaint or request for satisfaction simply boils down to personal opinion of what was said by the host or the buyer and seller. The buyer may say to the seller, “But you said during the webinar you would guarantee such and such.” The unscrupulous seller may well respond, “No. You’re mistaking. I said no such thing.” Thus, there is a problem, a problem which could have been avoided if a downloadable file of the event were offered or existed.

Too, if there is no downloadable guarantee of a product or service offering during the online event, then there is, likewise, no recourse to the buyer! Sales people can say anything they want, promise anything they want, talk about 100% moneyback guarantees all they want but if there is no proof of it, no downloadable document or recording, it’s all worthless, and the burden of proof is on the buyer to prove that what the seller said and promised was exactly that. The end result is that the buyer may well lose. The seller gets his money and walks away, wiping his salivating chin with his dirty paws while smiling with a sneer, having gained another prey for his wall… or bank account. The solution for the buyer is to demand a downloadable mp3 or similar file of the event or a downloadable guarantee that spells out the terms of the offer exactly. If no downloads are made available, the buyer purchases any products or services at his own risk.

As a matter of note, it is plausible that if the internet marketing industry does not take measures to fix this issue by making downloadable documents or recordings available to verify purchases and insure guarantees, the government may well step in to require such actions and instruments. And who wants more government control? Honesty, ethics, and good business practices are naturally accompanied by documents or instruments reflecting the integrity of the seller while insuring the buyer’s safety. Any smart and ethical business person will take measures to not only ensure his customer’s satisfaction and good will but his own personal integrity as well. Wolves, masquerading as sheep, have no such intentions, let alone actions. Therefore, the solution is to “get it in writing” whatever “it” is that is being purchased.

3. Beware of Deadlines to Purchase.

One common tactic of internet marketers is to create some “call of action to purchase” by placing a time limit on the offering. This technique has been used forever. Some people do need a push to buy. However, if a product or service is good, why create such an impulse-buying, pressure-filled demand in the first place? Any person who has your highest and best interest in his heart, will not pressure you into making a snap decision. However, he will do so if he only has his pocketbook and personal profits in his heart. If the product or service stands on its own merit, no pressure should be required to sell it. Therefore, a pressure deadline to purchase carries a red flag. It may be that a pressure deadline is justified. However, it may also be simply a nefarious sales ploy, and a buyer would be well advised when confronted with such pressure tactics to back off, regroup, reassess, think, ponder and consider the situation before he pulls out his wallet.

4. Beware of Inflated Promises.

Over-promising and under-delivering. How common is this reality? There are even internet marketers who tell you they’re under-promising and over-delivering, and they may be right. Yet, there are those who more commonly promise what they never can or intend to deliver. If there’s a promise, get it in writing via some downloadable instrument. See item #2. Remember, too, that a product or service is only worth what a person is willing to pay for it. A person can tell you his product is worth ten times what he’s offering it for. Well, if the product is really worth ten times what he’s offering it for, and if people really are buying it, why offer it for less? Too, is the seller offering names, addresses, phone numbers, contact data or records of buyers who actually purchased his product for ten times what it’s worth? This is really not suitable for privacy reasons so how can one be sure the salesman’s words are true?

5. Beware of Word Usage.

Internet marketers are often seasoned salesman who have crafted their sales artistry. No problem. However, a problem does arise when the art of using words has benefit only to the marketer. All sales transactions must be a win/win exchange. Everyone must benefit from a sale. That’s what good business is all about, right? Of course.

Here’s an example of word usage. One marketer guaranteed her product if the buyer did “exactly” as she said to do once her product was purchased. See the problem? It’s like Nancy Pelosi telling people to pass the health care bill first and then find out what’s in it! It’s absurd. When a marketer requires the buyer to give her money based on doing “exactly” what she says, before she delivers her product, be wary. How can a person know what she means, infers, or expects when she uses the word “exactly” but doesn’t explain what “exactly” means before a purchase is made? What if “exactly” means doing something the buyer is incapable of doing? It might also be untoward, impossible or even illegal. If the buyer fails to perform “exactly” as the marketer demands, the marketer is off the hook for any guarantee made, and if the product costs thousands of dollars, guess who wins and who loses? Therefore, the warning is, pay attention to words.

6. Beware of Inflated Prices.

A product is only worth what someone is willing to pay for it. It’s a common practice for some internet marketers to say they are worth enormous amounts of money per hour and their products are worth thousands of dollars, some tens of thousands of dollars. That may be the case… or it may not. A good conversion rate for an online product is considered to be 3%. This means that of 100 people visiting a website, if 3 out of a hundred people purchase the product, this is considered good. This also means that 97% of the website’s visitors rejected the product for various reasons, price perhaps being one of them. The old adage, “Talk is cheap” is a good one to remember here.

7. Beware of the “Free” Offering.

Nothing is free. For example, many “free” online webinars, teleconference calls, etc. require you to give them your name, email address and any other personal data they can get in order for you to get their “free” webinar, product or service. “Free” means without cost. For someone to advertise something as “free” should mean exactly that, free. However, many internet marketers require a person to give them their contact data, email address, etc. before they get the “free” offering. Giving personal data places a cost on the webinar, product, service, teleconference, etc. which invalidates its “free” status. The key is that the internet marketer wants your email data so he can build his most valuable asset, his email list, which he can personally use or sell to other people. If “free” were truly free, the recipient of the product, service, webinar, etc. would never be asked for anything, and this includes email data. Therefore, a red flag arises. If a person says something is “free” when it’s really not free, the buyer would be wise to stop and contemplate the situation as well as the ethics of the marketer before making any hard decisions.

8. Beware of Webinars That Don’t Match Their Billing

Webinars are excellent tools. Most of them carry an outline of what one can expect during the webinar. However, there are webinars that don’t match their billing. For example, if a webinar’s preview statement is, “Join this webinar and you’ll learn six things to be successful in making green cheese,” and the webinar didn’t answer these questions but rather gave an extended half-hour sales pitch on the host’s revolutionary green cheese maker, then be careful. If the host did give six things to do in making green cheese, fine. The problem is that many webinars offer preview questions that never get answered because the host is too busy promoting his product instead. The webinar, therefore, was a waste of the listener’s time and effort. If webinars don’t match their billing, beware. If the webinar’s billing doesn’t meet up to expectations, any product the host is selling, and the host himself, most likely will also not be reliable.

9. Beware of Terms and Conditions [T & Cs].

Read them! How many people actually take the time to read the Terms and Conditions of an offer? Yet, often buried in the T & Cs are statements that the promoter can use whatever information you give him however he wants to use it! Clicking on the Accept button without reading the T & Cs can be costly in more ways than one. In one marketer’s T & Cs the very last sentence of an extremely long document stated that the buyer would have to pay all attorney’s fees if the seller defaulted in his service and litigation were initiated! Small print and last lines – beware and be wary of them? Read the T & Cs!

In summary, salesmen want your money in exchange for a product or service. That’s why they’re in business. It’s the free enterprise system and it’s a good one. The good salesman understands that if he wants your money and good will in the form of continued business and referrals to others, he will treat you right, give you an excellent product for a fair price and excellent follow-up service. The bad salesman will get your money and run. He doesn’t care about the next sale. And when the sale is on the web, it can be extremely challenging to get restitution for a violation of promises made prior to a sale. It’s not like a person can drive down to the local store and talk to the sales person about a defective product or service. When a sale is transacted on the web, the store may be on the other side of the country or even the world.

Remember the words of Confucius: “The superior man understands what is right; the inferior man understands what will sell.” It would be wonderful if all salesmen were superior men in the light of Confucius’ statement, but they’re not. Perhaps in a perfect world this would be the case, but believing this world is perfect is living in Pollyanna Land. So… beware when being motivated or conditioned to buy a product or service, especially on the web. Use common sense to mitigate getting burned. After all, it’s your money. Protect it.

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Source by Richard Andrew King

August 18, 2022
View: 411

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Synaesthesia (sin-uhs-THEE-zhee-uh) an automatic involuntary sensation arising from a stimulus to a different sense organ

We all have this to some degree – a soft caress in one spot can tickle somewhere else, scents evoke flavours, and we turn cold on hearing on a blood-curdling screech. These experiences are ordinary ‘wiring’, but some people are ‘wired up’ differently from the rest of us. For example they might see specific shapes picked out in distinctive colours, or see specific colours on hearing distinctive sounds.

A century ago, scientists, musicians and artists alike were fascinated by whether sounds could stimulate colour imagery. They found the waters muddied for various reasons:

* Evidently it is specific sounds that cause the colours, rather than the music as a whole.

* Different synaethetes see quite different colours when listening to the same music.

* A repetitive sound may cause flashing that is disturbing or even temporarily disabling.

* Musicians have always used the language of colour to describe tones, chords, modes and keys.

* To cap it all ( and disappointingly for composers with grand holistic ideas) the vast majority of listeners see, well, nothing really.

Even so, there is still massive scope for artists with this rare neurological condition – let’s call it The Gift – to explore the potential of direct visual inspiration from music.

One such artist is Mark Rowan-Hull whose nifty tagline “Hearing Colour, Seeing Sound” and dramatic technique of “Performance Painting” really caught my imagination when I saw his work at a small local gallery. Mark’s abstract canvases dazzled from the whitewashed walls of a simple Jacobean barn. A video screen showed Mark painting swiftly and confidently. In the video musicians from the Royal Academy of Music improvised ‘live’, but we didn’t hear their tracks. To set the musical scene, the gallery sound-system played a typical CD of abstract atonal music.

I admit not everyone was impressed: ‘completely pretentious crap’, ‘the images are nasty, as is the music’, ‘I have seen better efforts produced in the infant classroom’, but many were enthralled, ‘I really enjoyed the exploration of expressing sensations in physical form!’, ‘I love the energy I feel in response to the vibrant use of colour’ – you get the picture, as it were.

One thing struck me above all else – although the whole Selling Point of the show was Art derived from Sound, the pictures themselves were curiously silent. Not entirely; my favourite had a subtle suggestion of music in rippling horizontal lines akin to a harmony flowing across a stave. That really appealed to me, though I suspect Mark might be appalled if anyone suggested he should deliberately include ‘musical motifs’ in every painting. That little ripple did more than just draw me to the painting. It showed me that I was unconsciously desperate to connect each picture with the music Mark had been hearing while he painted it – music that I could not even imagine.

So I got curious about how – if I could afford the painting – I might display it at home. If you take a look at Mark’s website, you’ll see that a stark white wall with strong uniform lighting would be essential to let the image speak for itself as an abstract painting. If I were buying into the concept (i.e. swopping a huge wad of banknotes for, let’s face it, a brief flurry of panchromatic choreography), I’d want all my guests to pick up on the distinctive Story behind the Picture as well – and whether they liked it or not! But how? A printed Artist Statement is vital for Galleries and maybe public spaces, but pretentious in a home – and still just as silent. If I had the urge to ‘hear the music’, at least once anyway, then it’s likely that my guests would too. I could play a video of its creation alongside the picture, complete with the original soundtrack. That would show how it had been painted and, crucially, how each colour choice synchronised with the sound world. Yet I felt that to be un-domestic and overly school-masterly, “Come along everyone. Can you all see? Hush while I press Play”.

On reflection, I think I’d like a middle way, making just the music available, and for only as long as people were concentrating on the picture. Maybe an MP3 speaker behind the canvas, with a small but insistent Play button for the curious. If I had a big enough stark white wall, that is.

As ever, Wikipedia neatly summarises The Science Bit

Some questions for you:

* Do you think that idea could adapt back to gallery exhibitions?

* If so, should it be the artist or the gallery that solves the problems and provides the equipment?

* And would it be a good idea to offer purchasers the options of a sound kit, pre-loaded with the right music, to go with each picture?

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Source by David Halfpenny

August 4, 2022
View: 357

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Beijing is the capital of the People’s Republic of China. It has a long history with an abundance of historical and cultural heritage that represents treasures from the city’s civilizations. Beijing has served as a capital of the country for more than 800 years. The city has many places of historic interest and scenic beauty.

The successful hosting of 2008 Olympics Games represents the ultimate statement of China’s emergence as a global superpower, and it is determined to make the ‘People’s Olympics’ the most successful and dazzling ever staged. After the great event, Beijing travel becomes more attractive to international tourists. Now, I would like to show you, my dear international friends around Beijing to experience its culture, history and daily life.

A) Landmark tours:

A good place to start exploring the city is Tiananmen Square, where Mao Tse Tung declared the foundation of the People’s Republic. It is the heart of urban Beijing and large enough to accommodate an assembly of one million people.

Go ahead to the Forbidden City, the largest and best-preserved ancient architectural complex in the world. It was the Chinese imperial palace from the mid-Ming Dynasty to the end of the Qing Dynasty. For almost five centuries, it served as the home of the Emperor and his household, as well as the ceremonial and political centre of Chinese government. Now it houses the Palace Museum.

Another must-see is the Temple of Heaven, where Ming and Qing emperors performed solemn rituals for bountiful harvests. It was constructed from 1406 to 1420 during the reign of the Yongle Emperor, who was also responsible for the construction of the Forbidden City in Beijing. Earth was represented by a square and Heaven by a circle; several features of the temple complex symbolize the connection of Heaven and Earth, of circle and square. The whole temple complex is surrounded by two cordons of walls; the outer wall has a taller, semi-circular northern end, representing Heaven, and a shorter, rectangular southern end, representing the Earth. Both the Hall of Prayer for Good Harvests and the Circular Mound Altar are round, each standing on a square yard, again representing Heaven and Earth.

Pay a visit to the Summer Palace, the emperors’ magnificent garden retreat; the Ming tombs, the stately and majestic mausoleums of 13 Ming Dynasty emperors; and the world-renowned and genuinely inspiring Badaling section of the Great Wall. Large-scale construction has brought great changes to Beijing since the founding of the People’s Republic of China in 1949 that adds more and more new attractions to the mysterious old city.

Ming tombs was an imperial tomb site where 13 Ming emperors were buried. The Dingling Tomb is the second-largest tomb, and it is the first of the 13 tombs to be excavated and opened to the public. It is an example of a typical imperial tomb.

B) Daily life experience

In the morning, get up early to visit one of Beijing’s public parks. This is when people enjoy their favorite physical activity, be it tai’chi, jogging, singing or even ballroom dancing. In the afternoon, you can have a chance to experience the real life of local Beijing residents on a tour to the Hutongs by rickshaw. Beijing Hutongs are regarded as the last embodiment of old Beijing’s spirit. Walking along the back street of Hutongs and meeting people there will leave you a different understanding of China

C) Chinese Art

Beijing Opera is the most popular of all the opera styles in China. It developed from classical singing and dance styles dating from the Ming Dynasty and gradually merged by the late 18th and early 19th centuries into the Beijing Opera we see today. Beijing opera features four main types of performers. Performing troupes often have several of each variety, as well as numerous secondary and tertiary performers. With their elaborate and colorful costumes, performers are the only focal points on Beijing opera’s characteristically sparse stage. They utilize the skills of speech, song, dance, and combat in movements that are symbolic and suggestive, rather than realistic. Above all else, the skill of performers is evaluated according to the beauty of their movements. Performers also adhere to a variety of stylistic conventions that help audiences navigate the plot of the production.

Beijing acrobatics is another wonderful performance. Though the origins of the performance art are unknown, many believe that acrobatics developed from martial arts exhibitions and date back as early as the Neolithic period. In China they say that every minute an acrobat spends on stage requires ten years of training. Indeed, Beijing acrobatics shows, featuring astonishingly limber performers practicing feats of strength, balance, and skill, are a tremendous sight to behold.

After an exciting, informative, and refreshing introduction of my beloved city, Beijing, I would like to share the following Beijing tours with you.

Day 1 Beijing arrival

Upon your arrival in Beijing, our professional tour guide will pick you up at the airport and transfer to the centrally located four-star Beijing Holiday Inn Downtown Hotel with air-conditioned private vehicle.

Day 2 Beijing (Breakfast, Lunch)

Morning visit the Tiananmen Square, the heart of urban Beijing and large enough to accommodate an assembly of one million people. It stands in front of the Forbidden City, covering over 100 acres. Then visit the Forbidden City, it is the world’s largest palace complex and covers 74 hectares. Built between 1406 and 1420, the Forbidden City was the home of the emperors of the Ming and Qing dynasties, a period extending over 500 years.

Today’s lunch will be arranged at local restaurant for you to enjoy the Sichuan Cuisine. After lunch, you will visit the Summer Palace, the best preserved and the second largest royal garden in China, with a history of over 800 years. In 1998, it was listed as one of the World Heritage Sites by UNESCO. In the evening, enjoy the Beijing Opera.

Day 3 Beijing (B, L)

Today’s tour will take you to visit The Eighth Wonder of the World—Great Wall at Badaling Section. Take the cable car to the Great Wall and enjoy your walking there.

To avoid the crowds in tourist restaurant near the Great Wall, we will prepare a lunch box from your hotel instead which can also assure a better food quality.

On your way back, you will visit the Ming Tomb, where you can see the underground palace of the Chinese emperors with their valuable authentic burial objects. Tonight you will watch the amazing Beijing acrobatic performance.

Day 4 Beijing (B, L)

Today you will visit the Temple of Heaven, where Chinese emperors used to pray the good harvest. After enjoy a typical Beijing cuisine lunch at a local restaurant, you will start your afternoon sightseeing to Yonghe Lamasery. The temple was built in 1694 and the architecture and ornamentation of the buildings show the influence of Han, Manchu, Mongolian and Tibetan styles. Then continue transfer to the Silk Alley Market and enjoy your shopping and bargain there.

Day 5 Beijing (B, L)

Today you will experience the daily life of local people by watching the tai’chi, jogging and the strolling around the Hutongs. The rest of day is for you to explore the city in depth on your own

Day 6 Beijing departure

Transfer to the airport and fly to your next destination, service ends.

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Source by Eric Xu

August 3, 2022
View: 447

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It was a sunny, twenty-third day of December while the redbrick grandeur of the University College of Art & Design building was basking in the comfy sunshine. An ambiance full of romance and adoration was all inviting to all who could feel a stir in their hearts in this immaculate gaze the sun was casting.

The faculty members of UCAD were loitering around in the best of their wardrobe in wait for the Vice Chancellor who was to be the chief guest for inaugurating a unique show titled as ‘Dimensions’ displaying the creative lust of painters who happened to be the teachers of UCAD as well.

Artists need space to display their creations while all galleries provide proper walls to the paintings to be hanged. Ana Molka Gallery at University College of Art and Design did the same for an array of exclusively rendered work not by anyone else, but the faculty members of this prestigious institution.

It is always considered a great opportunity when the young lot of any tradition is provided with the prospect of being alongside the older one. This was an exclusive feature of that show where the mature hands were to hold the flair of young ones.

Entering Ana Molka Gallery has always been a matter of pride for me since my student days at the corridors of UCAD that now has become a nostalgic intoxication after being indulged in earning bread and butter. But as I entered the door, a strong whisper of deja vu was more than noticeable. Undoubtedly, it was a precisely curated show with all the display requirements given priority but what one could smell straight away, was the presence of frames against the milky walls of the Gallery, which, had adorned some other walls of different Galleries as well. And ironically, mostly by the mature and renowned artists, an attitude that could be a false rope to hold on for the younger and neophyte generation of artists.

But never the less, the work displayed was somehow had something to talk about.

The snowy rooftops painted in a very designed composition by Zafar Ullah who happened to be the principal of the UCAD was just synchronized with the freezing temperature of Lahore. Despite the fact that this frame was not new to the viewers even then, the geometrically conceived and coherently painted, mostly in zinc-white and rusty-browns, canvas was forcing every one to think that why the painter behind that freezing atmosphere could not put his new canvases on fire when all the fire is there within the little master?

While the surface of a canvas by Kehkeshan Jafery titled as ‘Simmering Woods’, was ruthlessly blazed with burning reds and yellows; a typical Kehkeshan painting with warm feel and depth, around and within the central part of the painting. There were strokes of blues and greens in some patches across the canvas but they were identical to the blue and green part of a flame.

These flames get wild in ‘Heaven of Another God’ by Maliha Azmi Agha who, for the last three or four years, has been obsessed with pure blues, reds, and yellows which by overlapping each other, seem to create secondary tones of green and orange. The energy and direction of strokes was giving the impression that the painter was trying to break all the shackles and canons that had been in practice for academic or institutional requirements. But the composition and the style of applied paints were satisfactorily poised with previous works of the vigorous painter.

Adjacent to all these blazing and burning frames, was hanging the soft, subtle, and flexible delicacy of Rahat Naveed’s pastels. If Renoir is known for his rosy skins of his nudes, Rahat is known for rose-like skins of her portraits. Although we have come across the new and abstract style of Rahat in recent exhibitions in town but with the glowing skin of female face in one frame composed purposely with a red rose and with the shine of a male face, rendered on a handmade paper, in another frame was something serene and peaceful, reminding the classic tenet of tranquility, especially in the western world.

It was a soft tone as far as female painters are concerned as a whole regarding their displayed work. Anila Zulfiqar with her Impressionistic cityscape reminded the times of late nineteenth century when French painters were trying to capture the changing light. Anila with her juxtaposed brush strokes and hazy ambiance tried to create the mist across which, the typical Lahore Bazar was stretched to the maximum depth.

Anila’s memory regarding cityscapes is snowed under the narrow streets, jharokas and tapered shades, and when she puts these elements in her unique style, especially when the fog of December clad them warmly, the canvas gets the depth at its central part; a feature which the young painter has developed recently.

But Sumera Jawad, contrary to the supple and feeble fashion of female painters, came up with her typical images of women that traveled through time. Sumera takes her female images from mythology and relates them to the contemporary female. In her displayed painting, she arranged some mythical elements vis-à-vis to goddesses while the concealed and unconcealed eyes from the background were staring the onlooker. As always, she put a modern image of contemporary female in the frontal part of the composition, which was more like a film actress of musical melodies of 1960s.

Miniatures are what Khalid Saeed Butt has mastery in and in this show; he emerged with a very lyrically poised female in the center of the frame with tree branches around. The softness of the curves of the twigs of a leafless tree was orchestrated with the curvature of the female figure, which was, in its rendering, more like the ‘Pahari’ school figures. Khalid crafted the rare part of the figure so precisely that the eye of viewer seemed absorbed within the dark area while when it journeyed along the half moon of the pelvic arch was an obvious display of the keen surveillance the artist was blessed with. The apple in the left hand of the female figure was suggestive to the well-known Biblical theme.

Tanvir Murshad is a renowned designer who loves to paint. In this show he put on show his vertical canvas with acrylic paints thrown across. The energy and the dynamism he produced from blue to yellow were symptomatic of his control over compositional requirements, which he got through geometrical vision.

But Amjad Pervez used his all proficiency regarding geometry and balance within his cityscape in watercolor. The typical ‘Darwaza’ of old Lahore was very well crafted. But the inert feeling was obvious apart from the skill that was screening the emptiness that a professional painter always can fill up.

The younger lot was marked with Ali Azmat, Mughees Riaz, Tasadduq Amin and Shehzad Majeed. Ali with his typical male nude was looking repetitive. Mughees presented his favorite Ravi Scene with boat while Tasadduq’s landscape with outsized foreground was all inspired by Zulqarnain Haider School of landscape. Shehzad Majeed’s experiment on ‘vasli’with meticulous pencil drawing was inspiring as far as skill could go. The composition and tonalities were exploited with precision.

No doubt, it was an excellent effort by UCAD. Only frequentative shows of this nature can answer the problems, seen between lines. There’s a hope and expectation that this show was just the beginning of a hale and hearty tradition.

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Source by Nadeem Alam

July 19, 2022
View: 551

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I like Pompeo Batoni’s (1708-1787) paintings. I consider him one of my friends despite the distance in time and space. Pompeo Batoni was one of eighteenth-century Rome’s most notable citizens. He was considered by his peers the city’s most eminent and honored artist.

Popes, Europe’s Emperors and Kings, and many rich visitors were received in his studio. Pompeo Batoni supported his numerous children and family and a open house for musical evenings and painting academy by painting very appreciated portraits.

In subject paintings the rich effect of color and complex rhetoric behind the attitudes, gestures, and expressions create very dynamic compositions. His humanized saints, Holy Families, and Madonna express a meditative approach to religious emotion.

I appreciate him mostly for his thinking, for his representations in allegory of hard and abstract ideas. The allegory is a work of art in which a deeper meaning underlies the superficial or literal meaning.

I am starting with three examples: The Time unveiling the Truth, The Truth and Mercy, The Justice and Peace because the message encrypted in colors and forms is less complicated and may stimulate the reader’s thinking.

  1. The Truth is pure light and Time is a young seeker. After unveiling the Light we are no more innocents. It is supposed to know the difference between good and evil. Sinning after we received the True is different. In time, through experience and study at the school of hard knocks, we get the chance to bring the Light and more personal responsibility in our life.
  2. The Truth versus Mercy is a totally different allegory. The Truth is holding firm and up a more material symbol, a tragic shiny face. From his attitude we feel the Truth is very important and self-centered. The kneeling Mercy appears as if she is one with the viewer, she demands compassion. The material, more earthly Truth, cruel and unforgiving, is facing us and the Mercy’s humble request.

    Is judging more important than forgiving? The viewer is involved, a mature person may decide different than a young one.

    The National Gallery, Special Features, Paintings from the Exhibition, picture #6

  3. The Justice is not blind in Batoni’s work. She has the instrument to weigh the arguments and facts in her left hand. Temporarily she stopped judging, because Peace is unfolding on her side bringing comfort and warmth. Again, what is the value of judging and criticizing all the time over the peace of acceptance? I brought these examples to gradually introduce Batoni’s thematic to you.

The Madonna and Child in Glory” fascinated me. The original is at Toledo Museum of Art (Ohio).

“The Madonna and Child in Glory” is the only painting I know which represents the Divine and the evil relationship from humans point of view on the same canvas.

Central, in full light, the Mother is holding with grace the precious Son of God. She is focusing up beyond the angels. The top space of the painting is open by the left angel who is calling for attention. The angels from top are emotionally involved in what is happening down there, where the Jesus Christ’s cross – spear is agonizing the devil. The baby’s gesture and representation are very humanized. The devil is represented according to ancient description with wings and here is holding on the Earth’s sphere. The very childish angels on the bottom hold each other leaning aside to avoid the evil’s horrible breath.

A group of five musicians close to Madonna glorify the divine mission. We the humans can identify with scientists and artists. On a deeper level we can perceive the Christ body in the crucified pose in Mother’s hands. Mother is looking up for help and understanding.

The viewer is involved in many ways on different levels of emotion, stimulating the mind to pursue more work. The line “But deliver us from evil” was my first understanding from the very first second I have seen this masterpiece of materialized meditation.

The recent book “Pompeo Batoni: Prince of Painters in Eighteenth-Century Rome” by Edgar Peters Bowron and Peter Bjorn Kerber (2007) contains all pictures discussed in my article.

This book is published in conjunction with the 300 years anniversary from Pompeo Batoni’s birth with exhibitions at:

  • The Museum of Fine Arts, Huston, 21 October 2007 – 27 January 2008;
  • The National Gallery, London, 20 February – 18 May 2008

You also may visit the winer4us.com website bottom link for more info and a mini movie I made at Toledo Museum of Art for you.

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Source by Ernest Ionescu

July 17, 2022
View: 551

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The People’s Republic of China is viewed through different lenses even today. Exotic. Mysterious. Aggressive. Fascinating. These are just some of the monikers that are pasted onto this 9.597 million square kilometres that make up the Land of the Dragon.

What is China today? How did “Made in China” become the most sighted marking on manufactured goods? Why has speaking and writing Chinese gained such significance? If the Chinese don’t master English, isn’t the obvious solution for English users to master Chinese and translate, translate, translate??!

What is China today?

China is a land surrounded by the Gobi desert in the North, thick, impenetrable forests in the South, the Himalayas on the West and the Pacific Ocean in the East. This is why early civilisation had limited interactions with this country. The politics of this country also added to its economic and cultural isolation. It was only in the 1970s that the winds of radical economic reforms swept through China’s vast landscape and ushered in a global trade economy. The Communist government in China has opened up not just the market but the free flow of trade and technology across its borders.

Today:

China is the second largest economy in the world next to the USA

a global hub of manufacturing

the largest exporter and the second largest importer of goods and

the largest trading nation.

Add to these facts that China happens to weigh in with a population of 1,382,323,332 and growing every millisecond (yes, count it live by clicking on the link and you will see how fast the number changes!), and you will know the mind-boggling economy and market that is being considered.

Tongue tied in English

The emphasis on English education in China took off only in 1979 when the dragon established strong diplomatic ties with the American eagle. With estimates of English “speakers” as low as 10 million and English “learners” at 300 million, China has still a long way to go in free and easy communication considering that a sizeable chunk of the West uses English. So, is this mammoth, well connected market to remain incommunicado? Hardly!

“If the mountaine will not come to Mahomet, Mahomet will goe to the mountaine”

So said Sir Francis Bacon in his Essays, 1625.

Translation: If the Chinese don’t learn English, then English users will have to learn Chinese.

The official language of China and Taiwan is Mandarin or Standard Chinese. It is also one of the four official languages of Singapore.

Cantonese (a variety of Yue Chinese) is the official language of Hong Kong and Macau, the two mostly self governing special administrative regions of China.

The script uses characters called hanzi: there are more than 100,000 individual characters. Roughly speaking, each character represents a syllable and can be used individually or in combinations to form words. A recent development has divided this script to simplified Chinese which uses reduced and simpler characters; this is used mostly in Mainland China. The traditional version still continues in Hong Kong, Taiwan and Macau.

Pinyin, the official transliteration system using the Latin alphabet, has also been developed to ease pronunciation.

In addition, it should be noted that Mandarin Chinese is spoken by the well heeled Chinese communities of Thailand, Malaysia, Indonesia, Singapore, Brunei, the Philippines and Mongolia where the Dragon makes its presence pretty prominent and breathes a scorching breath.

Language translates to business

With China encouraging the free flow of business and becoming the golden land of opportunity, communicating in Chinese takes on varied shapes and colours if this high potential market has to be tapped deeper and deeper.

Professional Chinese translation has to be specific to the targeted area and the purpose which demands this service. For example, if the target market is Mainland China and /or Singapore, the type of written Chinese would be Simplified Chinese. Yet, Traditional Chinese would be the lingua franca for businesses operating within the Hi-tech industry and simplified Chinese preferred for companies in manufacturing sectors.

Translators from English to Chinese need to know much more than just the languages: a good translation company will offer translators who are cognizant with the kind of profession that the translation is required for.

Minding businesses

There are many needs for professional translation that arise in the course of business.

Language and tone of translation has to suit each need. There is no such thing as a broad brush that you can paint Chinese with! Documents dealing with, patents, resumes, medical cases, educational certificates, brochures, insurance, visas… the list is endless when a country opens its doors to the rest of the world.

Add to this the nuances of the Chinese script where a stroke or a syllable can change the entire context or meaning. Work in the dominance of English as the language of business and trade. Take in the fact of the Chinese ethos being a little known and tentatively understood denominator and the care to be taken to keep niceties of language uppermost. The formula for success dictates that English be skilfully translated into Chinese minding text, script, language, tone and suitability.

This is why expert translation is needed. No automated or translation software can actually fit the bill in a language like Chinese. It’s good enough to order a plate of schezwan noodles and kung pao chicken, but not when your needs are professional and your aim is the sky.

China still burns exotic in many minds. But as the People’s Republic increasingly demolishes the “Great Wall” that had once surrounded its isolationist mindset, the layers of mystery are being peeled away. China is a prosperous and booming economy today. Make your presence felt in the Big Bang.

Translate your business strategies to success. Literally.

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Source by Shreya Gupta

July 4, 2022
View: 356

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If you’ve been perusing the stores for artwork to add to your home, you may be a little bit frustrated with the pricing most art retailers are offering. Sure, the pieces are beautiful – but do you really want to pay hundreds, maybe even thousands, of dollars for artwork? Sometimes, it simply doesn’t seem like it’s worth it. Although the artwork is stunning, it doesn’t add that personalized touch to the home that so many homeowners strive to create. Instead of searching endlessly for a piece you like at a price you can afford – turn to some of these creative options:

1. Any craft store sells items called “shadow boxes” that are basically frames with some depth to them. They’re perfect for displaying pictures or even ticket stubs and the best part about them is that you can throw in other mementos to create an even more unique and personal piece. For example, if you have a prized set of ticket stubs from a big baseball game, add a baseball and a few pieces of “cracker jack” to the frame for a truly creative touch to any sports room or den. On the other end, adding a wedding photo to shadow box and pairing it with leftover pieces from the favors or centerpieces will give you a small reminder of your special day on a daily basis. By placing photos into shadow boxes, you’ll be able to personalize them more than ever.

2. If you have a large space to fill, a great idea is to invest in a series of portraits of your family. Many portrait studios offer packages where a group shot of the family can be taken, along with individual pictures of the kids and sometimes even pets! By picking out coordinating frames, you can space the photos out evenly on your wall and take up the space that would have been filled with one large painting. Instantly, your family room has truly become a “family” friendly space. You’ll achieve that customized look that you would never have been able to achieve with a painting.

3. For many families with children, your child may have achieved some goals in their high school or college career that are certainly worth bragging about. Whether they’re clippings from the local newspaper, highlights out of the school paper, or even letters of acceptance or recognition – pull them out of your “to be scrapbooked” pile and get them into a frame. Making a collage out of these items for each child, adding photographs, matting them, and then framing them can make beautiful additions to a family room or living room. They’ll truly become pieces that will last throughout your child’s lifetime. Having “artwork” like this that is truly customized to your family will add interesting, and truly unique, detail to your home.

4. If it’s young children you have running around your home, you can let them create pieces now that you and your family will cherish for a lifetime. A great project that makes a beautiful accent piece to a family room or even a bedroom is getting a small white solid canvas board at any craft store and some black acrylic paint. Have your child dip their hands in the paint and place their handprints onto the board. The contrast of the black against white will make a beautiful, bold piece and you’ll be allowing your child to put their personalized touch on a room. Although you may have their crayon artwork on the fridge in the kitchen, giving them a structured project for a room like the family room will leave you with a subtle, but charming, piece. Anytime you can involve your kids in the home decorating process, it’s a great idea to take advantage. As mentioned before – personal pieces like these will be able to be cherished for years to come.

5. Finally, getting some favorite photographs blown up and framed can turn into a great investment piece for your home. If you’re worried about adding a bright, colorful photo to a neutral room – ask for them to print your photo in black and white or a sepia tone (choose sepia for a room with mostly browns and warmer colors). You won’t have to worry about the colors in the photo clashing with your room’s décor and you’ll be able to see one of your favorite shots on a daily basis. Truly a personalized detail for your home.

So before you take out a loan to buy a painting for your family room, take into consideration your other options before going through with it. Wall accents and small details in your home is what gives it its personality and uniqueness. While the artwork is beautiful and well done, photos of your family, mementos from a special day, or custom artwork done by your child will certainly be more of a conversation piece. By creating and hanging these sure-to-be-cherished pieces, you’ll truly be making your home “yours”.

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Source by Jonathan Brice

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